萨法维细密画对明代工笔花鸟画的转译——以《巴赫拉姆·米尔扎集册》为中心

The Translation form Chinese Ming Dynasty Meticulous Flowers-and-Birds Paintings to Safavid Miniature Paintings——Centered on Bahram Mirza Album

萨法维王朝是波斯细密画发展的高峰,也是中国工笔花鸟画融入波斯绘画艺术的重要时期。编纂于16世纪中叶的萨法维宫廷画谱《巴赫拉姆·米尔扎集册》,不仅收录众多14至16世纪初优秀的波斯绘画与书法作品,还收藏有中国明代画家的工笔花鸟画及波斯艺术家对中国画的临摹之作。该册充分展示了波斯艺术家历经跨文化艺术交流的传播、采纳与融合三个阶段,学习中国绘画技巧,提取中国艺术精髓并将中国花鸟元素进行转译的过程,揭示了波斯细密画与中国画的融合对波斯艺术发展的意义。

The Safavid Dynasty was the peak of the development of Persian miniature painting,and it was also an important period when Chinese Ming Dynasty meticulous flower-and-bird painting was integrated into Persian painting art.The Safavid court painting collection"Bahram Mirza Album",compiled in the middle of the 16th century,not only collects many outstanding Persian paintings and calligraphy works from the 14th to the early 16th century,but also collects the meticulous flowers-and-birds painting of Ming Dynasty Chinese painters and Persian artists’copy works of Chinese paintings.Bahram Mirza Album shows the process of Safavid dynasty Persian artists going through three stages of cross-cultural art exchange:dissemination,adoption and integration,learning Chinese painting techniques,and extracting the essence of Chinese art.It has witnessed the significance of the fusion of miniature painting and Ming Dynasty meticulous flowers-and-birds painting to the development of Persian art.