绘画的镜像叙事及其话语隐喻——从“镜子”意象看西方“再现”观念的变迁

The Mirror Image Narrative of Painting and Its Discourse Metaphor——The Change of the Western Concept of"Representation"from the Image of"Mirror"

在西方绘画史上,镜像最初以逼真摹仿为核心观念,这是对传统再现观念的确证。文艺复兴时期,镜像一方面在视觉相似的基础上再现摹仿对象;另一方面开始偏离现实。在现代艺术中,镜像偏离指涉性,完全颠覆和抛弃了再现。镜像从确证再现到偏离再现,再到颠覆再现的艺术实践中,实际上是绘画在不断地重构艺术与现实之间的关系,进而以此回应图像再现内涵的观念变迁。在镜像对再现观念的挑战和冲击中,古典绘画的理论范式和诸多原则遭遇危机,同时也引发了艺术实践中再现观念的重构,为解读艺术与现实之关系提供了新的视角。

In the history of western painting,mirror image initially takes lifelike imitation as the core concept,which is the confirmation of the traditional representation concept.During the Renaissance,on the one hand,mirror image reproduced imitated objects based on visual similarity;on the other hand,it begins to deviate from reality.In modern art,mirror image deviates from reference,completely subverts and abandons representation.In the artistic practice of mirror image from confirmation representation to deviation representation,and then to subversion representation,it is actually painting that is constantly reconstructing the relationship between art and reality,so as to respond to the conceptual change of the connotation of image representation.In the challenge and impact of mirror image on the concept of representation,the theoretical paradigm and many principles of classical painting encountered crisis,and triggered the reconstruction of the concept of representation in art practice,providing a new perspective for the interpretation of the relationship between art and reality.