主体的超越——朱光潜美学的身体之维

Transcendence of Subject:On the Body Dimension of Zhu Guangqian’s Aesthetic Thoughts

受美学研究实用主义转向的影响,身体美学与身体审美在近年来的研究中逐渐成为热点,而美学研究对身体问题的关注早已开始。在中国现代美学中,朱光潜的美学思想在审美经验、艺术创造、人生的艺术化等层面都呈现出鲜明的身体意识。朱光潜美学中的身体意识与身体经验调和了西方哲学美学中身心对立的形态,延续了中国古典美学中身心一致的观念,从而实现了主体的超越。从身体维度反思朱光潜的美学思想,有利于挖掘中国现代美学中的身体经验,为当代身体美学研究提供重要的参照。

Influenced by the practical turn of aesthetic research,body aesthetics has gradually become a hot topic in recent years,and aesthetic research’attention to the body has already begun.In modern Chinese aesthetics,Zhu Guangqian’s aesthetic thoughts show a distinctive body consciousness in aesthetic experience,artistic creation and poeticized life.The body consciousness and body experience in Zhu Guangqian’s aesthetics have reconciled the opposite form of body and mind in western philosophy and aesthetics and continued the consistent oncept of body and mind in Chinese classical aesthetics,which means the transcendence of subject.Reflecting Zhu Guangqian’s aesthetic thought from the body dimension is conducive to mining the body experience in modern Chinese aesthetics and provides an important reference for contemporary body aesthetics research.