西南少数民族背扇在丝巾设计中的创新应用

Innovative Application of Back Carriers of Southwest Minorities in Silk Scarf Design

婴儿背扇是西南少数民族服饰的重要组成部分,是散落在偏远村寨的珍宝。背扇的制作是繁琐、耗时和费力的过程,随着社会的发展和时代的变迁,许多珍贵的背扇技艺将不可再生,进而濒临失传的境地。以西南苗族、侗族、壮族及瑶族婴儿背扇为研究对象,结合多次实地考察的资料,对背扇的文化内涵和生存状况进行剖析。针对背扇所蕴含的审美特征,从纹样寓意、色彩搭配、制作技艺等方面探索将这些经典民族元素与现代设计结合的可能性,以时尚丝巾为表达载体,通过合理的设计与可行的技术,为民族服饰美学的传承提供一些方法和思路,让更多人的了解背扇的文化内涵与艺术价值。

Baby carriers form an important part of the minority costumes in southwestern and are a treasure scattered in remote villages.The production of the baby carrier is a cumbersome,time-consuming and laborious process.Many precious Baby carriers are becoming irreparable and are on the verge of being lost..This study focuses on the baby carriers of the Miao,Dong,Zhuang,and Yao ethnic groups in Southwest China,and analyses their cultural significance and current state based on multiple field visits.Based on the aesthetic features of baby carriers,such as pattern symbolism,color matching,and production techniques,this study explores the possibility of combining these classic ethnic elements with modern design.By using fashionable silk scarves as a medium of expression,rational design and feasible technology are used to provide methods and ideas for the inheritance of ethnic clothing aesthetics,allowing more people to understand the cultural connotation and artistic value of baby carriers.