浅议永明声律论对唐诗宋词元曲的影响

The Influence of Yongming's Rhythm Theory on Tang Poetry,Song Ci and Yuan Qu

“平仄和押韵”作为唐诗、宋词、元曲共同的声律符号意象,离不开以“四声和八病”为主要内容的永明声律论的影响。这种影响在唐诗表现为“平仄黏对、押平声韵”;在宋词表现为“合律的平仄长短句、押平声韵、仄声韵、平仄换韵”;在元曲则表现为“入派三声、平仄通押、一韵到底”。在中国古代文学的发展中,“声律”犹如一条不可或缺的主线,将三种不同的文学样式珠联玉贯起来,成就了诗、词、曲的不同凡响。

As the common phonological symbol image of Tang poetry,Song Ci and Yuan Qu,"tonal oblique rhyme"cannot be separated from the influence of the Yongming phonological theory with"four tones and eight diseases"as its main content.This kind of influence in Tang poetry is manifested as"flat rhym is oppolite to oblique rhyme"rhymes of flat tones;in Song Ci,it is represented by"long and short words of synthetical rhythm,rhymes of oblique tones,rhymes of oblique tones,rhymes of shifting level and oblique tones";in Yuan Qu,it is manifested as"into the school of three voices,tappet,a rhyme in the end".In the development of ancient Chinese literature,"melody"is an indispensable thread,combining three different literary styles and making poems,Ci poems and songs remarkable.