真实与在场:论当代影像场景的媒介剧场

Reality and Presence:On Contemporary Scenes as the Media to Construct the “Media Theater”

重在传达身体感知与情感体验的当代影像要求创建剧场的情境真实,而影像“场景”是展示情境图景和生成现场体验的重要媒介。在对当代影像场景再现方式的考察基础上,结合场景理论和剧场理论分析影像场景和剧场生成的内在辩证关系,说明当代影像场景的“现场性”与“历史物性”的媒介功能,并从真实场景和虚拟场景所引发的“真实性”问题上,进一步指出影像场景并非指代真实现场,而是超越了媒介本身的边框之外,转为一种开放的“媒介剧场”。在影像、观众和历史之间,创建了互通有无的时空记忆与文化空间。由此,兼有“情境真实”与“公共开放”的“场景”,才能在观者的整体感知与相互碰撞下,使影像剧场的“在场”成为可能。

The contemporary scenes,which focus on conveying the physical perceptions and emotional experiences,require the creation of a realistic scene in the theater,and the “scene” is an important medium for displaying the situational contexts and generating the experiences.Based on the research of representing contemporary scenes with theories of the scene and theater,this essay analyzes the internal relationship between scenes and the presentation of the theater.Then,it interprets how the contemporary scenes function as the “live” and “historically material” media and it further points out that this kind of scenes do not refer to the real scene,rather it is an open “media theater” that goes beyond the boundaries of the media itself from the perspective of “realness”,covering both the real and the virtual scenes.Between the image,the audience and the history,there is a time-space memory and cultural space that can communicate with each other.Therefore,the “scene” that combines “situational reality” and “public openness” can make it possible for the “presence” of the video theater under audience's overall perceptions and their mutual collisions.