杨荔钠与“女性三部曲”

Yang Lina and The Women’s Trilogy

杨荔钠作为中国女性导演,以其敏锐的视角在创作上有着独到的见解。在她创作的剧情长片“女性三部曲”——《春梦》《春潮》《妈妈!》(原定名《春歌》)中,通过探讨家庭关系中的女性,直面女性不同阶段的苦乐,用日常叙事化的创作手法塑造出追求自由、独立的中国女性形象。作为现实主义电影,“女性三部曲”对于女性题材电影的探索与创作有重要的意义,亦存在着对现实主义电影开创性的尝试,并摆脱了对现实主义既定理解。

As a Chinese female director,Lina Yang’s keen female perspective makes her works unique.In her film works the Women’s Trilogy—Spring Dream,Spring Tide and Mom(Originally named Spring Song),she creates the images of Chinese women who pursue freedom and independence with daily narrative creation techniques by exploring women who confront their joys and pains at different stages in family relationships.As a realistic film,the Women’s Trilogy is of great significance to the exploration and creation of women’s films,and also has a pioneering attempt to create realistic films getting rid of the established understanding of realism.