摘要
媒介是唐·德里罗小说创作的重要组成部分,《欧米伽点》的影像书写就蕴含了作家对后现代社会中媒介运用与消费的深刻思考。小说中具有镜像属性的银幕通过生产欲望,诱导人们深度迷恋影像空间,进而异化和吞噬影像创作者与接收者的独立意识和存在。德里罗通过影像书写揭示了媒介与消费主义、政治操控的共谋关系,凸显了艺术的救赎使命。他呼吁人们兼顾科技进步与人文关怀,建构健康的媒介生态环境。
Media is a significant component of Don DeLillo’s novels.The image writing in Point Omega contains DeLillo’s profound thinking on the application and consumption of media in postmodern society.In the novel,the film screen with mirror properties induces the audience to be deeply infatuated with image space by producing desires,and it comes to alienate and devour the independent consciousness and existence of image creators and receivers.DeLillo reveals the collusive relationships of media,consumerism,and political manipulation through the image writing,highlights the redemptive mission of art.He calls for both technological progress and humanistic care to construct a healthy media ecological environment.
作者
曹秋露
刘丹
CAO Qiulu;LIU Dan(School of English Studies,Dalian University of Foreign Languages,Dalian 116044,China)
出处
《浙江外国语学院学报》
2022年第6期103-109,共7页
Journal of Zhejiang International Studies University
基金
教育部新文科研究与改革实践项目“新文科建设背景下外语学科国别区域学专业建设探索”(2021040005)
大连外国语大学科研基金重点项目“当代美国小说叙事的后现代崇高美学研究”(2018XJZD04)。
