电影的“空间”与“空间生产”

“Space”and“Production of Space”in Films

列斐伏尔提出“空间生产”概念,从政治经济学的角度研究了物的生产和生产关系的互动,提出了总体性的生产关系再生产的观念。电影理论对于列斐伏尔空间生产理论的借用,从一个新的视角重新定义了电影的空间,也就是把电影中呈现物的空间与呈现意义的空间置于一种辩证的关系之中,从总体性的角度出发来看待电影的模拟空间、象征空间以及意蕴空间,从而避免了对于电影空间概念使用的生吞活剥,为电影理论开辟出一个新的视野。

Henri Lefebvre put forward the concept of“production of space”,and probed into the interactions between the production of objects and the productive relations from the perspective of political economics and then proposed a general repro⁃duction concept concerning productive relations.Theories of films that borrow from Henri Lefebvre’s theory of the production of space redefine the space in films from a new perspective.To put it in another way,it presents a dialectic relationship between the space that highlights objects and that highlights significance in films and has a general perspective of seeing the simulative space,symbolic space of films,and the connotational space they jointly shape.Therefore,it averts an unconditional use of the film space concept and initiates a new vision for film theories.