摘要
中国古代陶瓷的釉色是人们对物质材料的灵活运用,也是艺术的视觉形式与人的审美情感的多维综合,所形成的釉色美是颜色釉瓷器所具备的一个重要美学特征。在对釉色之美的研究中,考究的是釉色的外在形式与内在意蕴,并综合了人与物、人与造物两大关系,探析审美主体与审美客体之间的人、物互动,以及作为审美客体的釉色与哲学思想、社会政治、经济生活等历史因素的紧密结合,进而总结出釉色美的四个特质:巧法造化之美、致用利人之美、威仪礼乐之美、斑斓幻化之美。
The glaze color of ancient Chinese ceramics is the flexible use of materials in the process of human manual labor.Meanwhile, it is also a multi-dimensional synthesis of the visual form of art and people’s aesthetic emotions. The beauty formed in the glaze color is an important aesthetic feature of color-glazed porcelain. In the research on the beauty of glaze color, the external form and internal connotation of glaze color are studied. The relationship between human and object, human and creation is synthesized. The interaction the two relationships between human and object, human and aesthetic object has been analyzed.The glaze color of the aesthetic object is closely coupled with historical factors such as philosophical thought, social politics, and economic life. Bases on the above discussion, four characteristics of beauty in glaze color has been summarized, namely,the beauty of skillful creation, the beauty of making use of people, the beauty of majesty, ritual and music, and the beauty of colorful illusion.
作者
白山川
BAI Shanchuan(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)
出处
《中国陶瓷工业》
CAS
2023年第1期78-84,共7页
China Ceramic Industry
关键词
中国古代陶瓷
釉色
美
Ancient Chinese ceramics
glaze color
beauty