山水与乡愁--生态美学与文化记忆视阈下的乡村文化情感建设

Landscape and Homesickness:The Construction of Rural Cultural Emotion from the Perspective of Ecological Aesthetics and Cultural Memory

“山水”与“乡愁”作为一对不可分割的经典文化意象,构成了当代乡村文化情感建设中的重要内容。在当代生态理念和乡村文明建设中,传统的“山水精神”得以回归,正由一种精英式的审美转为大众的家园期待,集中体现了“人与自然共生”的发展观念。而“乡土”作为传统记忆文化的根本,使“山水精神”和“乡愁记忆”在情感感知上密切相连,“山水”是“乡村”的环境载体,“乡愁”是建立“乡村”的情感基础,“乡村”则是实现二者互通的现实之场。在“山水”与“乡愁”的情感建设中,不仅可以引发大众的历史回想与审美体验,还生成了独特的美学意象,“乡村”内涵也得以真正诠释,这在塑造民族家国意识与审美共感上具有重要的现实功能与启示意义。

As a pair of inseparable classical cultural images,“landscape”and“homesickness”constitute an important part of the construction of contemporary rural cultural emotion.In the contemporary ecological concept and the construction of rural civilization,the traditional“landscape spirit”has returned,but it is changing from an elite aesthetic to the expectation of the public home,which embodies the development concept of“symbiosis between man and nature”.“Rural”,as the root of traditional memory culture,makes“landscape spirit”and“nostalgia memory”closely connected in emotional perception.Here,“landscape”is the environmental carrier of“countryside”,“nostalgia”is the emotional basis for the establishment of“countryside”,and“countryside”is the realistic field to realize the exchange of the two.In the emotional construction of“landscape”and“homesickness”,the historical recall and aesthetic experience of the public can be triggered,unique aesthetic images generated,and the connotation of“countryside”truly interpreted,which has important practical functions and enlightenment significance in shaping national consciousness and aesthetic empathy.