野间宏战后初期战争文学中的身体书写

Body Writing in Hiroshi Noma’s War Literature in the Early Postwar Period

从生物学到社会学,各个人文学科的身体研究如火如荼,但其与战争文学之间的连接点,时常处于被忽视的境地。野间宏战后初期的战争文学存在一定的时间跨度,涉及文本多,且有着较为显著的身体书写,故以身体研究理论考察野间宏的战争文学,是一种可行的方式。野间宏战后初期战争文学的身体书写具有丰富的内涵。被规训的身体书写表达出野间宏较为明确的反战思想;被物化的身体书写描绘出因战争扭曲的人性;战时体制下被凝视的女性身体和两性关系书写则表明了特殊环境下身体被压抑的真实状况。通过战后初期战争文学的身体书写,野间宏向读者展现出将身体的生物性和社会性结合在一起的全新的文学方式,同时也体现出作家对不义战争的思考。

Body writing in the humanities,from biology to sociology,is flourishing,but its connection to the literature of war is often overlooked.The war literature of Hiroshi Noma in the early postwar period has a certain time span,involves a lot of texts,and is significantly featured by body writing.Therefore,it is a feasible way to investigate the war literature of Hiroshi Nonma with the theory of body research.Body writing in the war literature of Hiroshi Noma in the early postwar period has rich connotations.The disciplined writing of the body expresses the relatively clear anti-war thoughts of Hiroshi Nonma.Objectified body writing depicts humanity warped by war.The female body and the relationship writing under the gaze of the wartime system show the true condition of the body repressed under the special circumstances.Through the body writing of the war literature in the early postwar period,Hiroshi Nonma shows readers a new literary way that combines the biological nature of the body with the sociality of the body,and also reflects the writer's thinking on the unjust war.