摘要
“盛世修典——‘中国历代绘画大系’成果展”由“中国历代绘画大系”这一国家级重点文化工程而来,以出版打样稿和3D打印的方式展示数字化成果。数字化是本次展览的关键词,由此延伸出关于数字化与作品原境再造和时空共置两个与中国美术史研究相关的话题。数字化对于博物馆的展览展示而言不仅是一种辅助和补充,更应该在其中起到关键作用。
"Compilation of Classics in the Flourishing Age:The Exhibition of Achievements in Compiling A Comprehensive Collection of Ancient Chinese Paintings" arose from the national key cultural project "A Comprehensive Collection of Ancient Chinese Paintings",digital products in the form of print proofs and 3D printings had been exhibited.Digitization is the key word of this exhibition,based of which derived two topics related to the study of Chinese art history,original reconstruction and space-time co-location of works.Meanwhile,this paper argues that digitization for museum exhibition display,instead of being treated as auxiliary and supplement,should be the key role of digitization in museum exhibition.
出处
《博物馆管理》
2022年第4期30-33,共4页
Museum Management
关键词
数字化
原境再造
时空共置
展示价值
Digitization
original reconstruction
space-time co-location
exhibition value
