北宋童装形制特征的迁与变——以苏汉臣婴戏题材画作为例

The Migration and Change of Children's Wear Shape Characteristics in the Northern Song Dynasty:Taking Su Hanchen's Baby Theme Painting as an Example

苏汉臣在北宋宣和年间被任命为画院待诏,他擅长绘制婴戏图,是北宋风俗画流派的代表作家之一。婴戏图作为中国古代传统艺术题材之一,其写实性较强,因此成为研究宋代儿童服饰的重要参考资料。以往研究多聚焦在审美技法和文化内涵上,文章尝试从苏汉臣婴戏题材画作入手,针对宋代儿童服饰分类以及功能分析其日常着装特点,进一步探讨北宋末期童装形制特征的变化,这些儿童服饰作为一个时代的小小缩影,不仅展现了其实用价值,也反映了宋代审美特征以及不同民族文化的对抗与交融。

Su Hanchen was appointed as a Painted Institute in the Northern Song Dynasty.He was good at drawing a baby drama and was one of the representative writers of the Northern Song Dynasty.The baby play is one of the Chinese ancient traditional artistic themes,and its realistic is strong,so it has become an important reference for studying children's costumes in the Song Dynasty.In the past,research more focused on the aesthetic techniques and cultural connotations,this paper tried to start from Su Hanchen's baby theme painting,and further explore the Northern Song Dynasty in accordance with children's costumes and functional analysis of children in the Song Dynasty.Changes in children's wear shape characteristics,these children's clothing as a small epitome of an era,not only showing its real value,but also reflects the aesthetic characteristics of the Song Dynasty and the confrontation and blending of different national culture.