“我在”与“共在”——“主体间性”视阈下论纪录片《四个春天》的叙事视角

"Dasein"and"Co-dasein":On the Narrative Perspective of the Documentary Four Springs from the Perspective of"Intersubjectivity"

纪录片《四个春天》作为家庭私影像,是常年漂泊在外的游子对父母的献礼,带有很强的抒情诗意色彩。不同于客观观察式的纪录片,这部自我反射型的纪录片,杂糅了第三人称叙事的旁观视角与第一人称自述的主观视角,在记录乡镇父母生活的同时,折射出当代社会城市化进程中普遍有的“乡愁”。叙事视角的杂糅,拍摄者与被摄者互为主/客体关系,以及被摄者的生活哲学都呈现出明显的“主体间性”,表达了“共在”的存在哲学。

The documentary Four Springs is a gift to parents by the children wandering outside homes all year round,which projects the real image of many families and demonstrates a heavy lyrical and poetic color.This self-reflective documentary mixes together the third-person narrative and the first-person self-narrative,which has recorded the life of rural parents and at once reflects a"homesickness"popular along with the urbanization in contemporary society.The hybridity of narrative perspectives,the condition of being both the photographer and the subject,and the life philosophy of the subject,all this exposes to us an obvious intersubjectivity between the photographer and the subject,which further proves the existential philosophy of"co-dasein".