摘要
文章主要对位于中国北方的齐鲁地区、长江三角洲的南通地区、长江中游的湘西地区以及东南沿海的福建地区的蓝印花布的历史地位、纹样寓意和发展现状进行对比分析,得出不同地区蓝印花布因经济发展、文化背景、百姓生活的差异而展现出各具特色的艺术性,同时不同地区因传承保护的方式不同,最终呈现的效果也具有很大差异性。
This paper mainly compares and analyzes the historical status,pattern implication and development status of blue cloth with design in white in Qilu area in the north of China,Nantong area in the Yangtze River Delta,western Hunan area in the middle reaches of the Yangtze River,and Fujian area in the southeast coast,and concludes that blue cloth with design in white in different regions shows its distinctive artistry due to the differences in economic development,cultural background,and people’s lives,at the same time,due to the different ways of inheritance and protection in different regions,the final results also have great differences.
作者
徐怡雯
田亚鑫
王丽凤
Xu Yiwen;Tian Yaxin;Wang Lifeng(Nantong University,Nantong 226019,China)
基金
教育部人文社科研究一般项目“关于‘一带一路’视域下伊卡特织物的流变研究”(22YJC760099)
2022年南通大学大学生创新训练计划项目“关于江海纺织类非遗的活态化传承与设计创新应用的研究”(202210304036Z)。
关键词
蓝印花布
民间艺术
纹样图案
blue cloth with design in white
folk art
pattern