论董其昌画论中的审美主体思想

The Thought of the Aesthetic Subject in Dong Qichang’s Painting Theory

在意象创构的过程中,审美主体始终占据主导地位。董其昌始终强调对审美主体的重视,也对审美主体提出了相应的要求。董其昌的审美主体思想体现了其审美意识的高度自觉性,也在宋元绘画创作和理论建设深厚底蕴带来的土壤和桎梏的双重作用下表现出了强烈的张力,对后世画坛产生了重要影响。

The aesthetic subject always occupies a dominant position in the process of image creation.Dong Qichang always emphasizes the importance of the aesthetic subject in his painting theory,and also puts forward corresponding requirements for the aesthetic subject.Dong Qichang’s thoughts reflected the high consciousness of his aesthetic sense,and also showed a strong tension under the dual effect of soil and shackles brought by the profound foundation of the Song and Yuan dynasties,which had an important influence on the later painting circles.