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康德美学的学科意义探讨

Disciplinary Value Exploration in Kantian Aesthetics
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摘要 美学作为一门学科,虽然是从鲍姆加登的感性学开始,但,是康德把美学学科真正地建立了起来。康德从先验的角度审视感性学,使之更具有普遍性、必然性;从知情意三分的角度确立“情感”的独立性,为情感学的建立提供了充分的理据;对“美者”进行四方面的深入分析,把感性学转化为了审美学。只有认识到康德美学的学科意义,才能真正把握美学学科的内涵所在。 Aesthetics as a discipline,started from A.G.Baumgarten’s theory of perception;however,it is Kant who set up aesthetics as a subject in the real sense.Kant rendered this theory more universal and inevitable by reviewing it from the transcendental perspective.The sentimental independence he made from the three divisions of cognition,feeling and willpower offered an adequate ground for the setting up of sentics.An in-depth analysis of‘the beautiful’from four aspects he conducted transformed the theory of perception into aesthetics.Only when we come to know the disciplinary sense of Kantian aesthetics can we have a real command of the connotation of the aesthetic subject.
作者 谭文旗 Tan Wenqi
机构地区 阿坝师范学院
出处 《阿坝师范学院学报》 2023年第1期122-128,共7页 Journal of Aba Teachers University
关键词 康德美学 美学学科 学科意义 Kantian aesthetics aesthetic subject disciplinary sense
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  • 6See B. Gaut and D. Lopes: Routledge Companions to Aesthetics, Routledge, New York,2001, P193.
  • 7D. Cooper, ed, A Companion to Aesthetics, Malden, Blackwell Pub- lishers, ltd, 1992, P395.
  • 8See C. Wenzel, Kant' s Aesthetics : Core Concepts and Problems, Mal- den, Blackwell Publishing,2005, P4.
  • 9See H. Langfeld: The Aesthetic Attitude, New York,, Kennikat Press, 1920.
  • 10See G. Dicke:Introduction to Aesthetics:An Analytic Approach. Ox- ford University Press, 1997.

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