摘要
美学作为一门学科,虽然是从鲍姆加登的感性学开始,但,是康德把美学学科真正地建立了起来。康德从先验的角度审视感性学,使之更具有普遍性、必然性;从知情意三分的角度确立“情感”的独立性,为情感学的建立提供了充分的理据;对“美者”进行四方面的深入分析,把感性学转化为了审美学。只有认识到康德美学的学科意义,才能真正把握美学学科的内涵所在。
Aesthetics as a discipline,started from A.G.Baumgarten’s theory of perception;however,it is Kant who set up aesthetics as a subject in the real sense.Kant rendered this theory more universal and inevitable by reviewing it from the transcendental perspective.The sentimental independence he made from the three divisions of cognition,feeling and willpower offered an adequate ground for the setting up of sentics.An in-depth analysis of‘the beautiful’from four aspects he conducted transformed the theory of perception into aesthetics.Only when we come to know the disciplinary sense of Kantian aesthetics can we have a real command of the connotation of the aesthetic subject.
出处
《阿坝师范学院学报》
2023年第1期122-128,共7页
Journal of Aba Teachers University
关键词
康德美学
美学学科
学科意义
Kantian aesthetics
aesthetic subject
disciplinary sense