摘要
在中国战争电影的创作中,抗美援朝电影因其独特的时代背景和地缘文化构建,形成了以地理性空间和社会化空间为主体的电影空间构建。同时,抗美援朝电影作为政治修辞的视觉表征形式,在其特定的政治环境、修辞语境、文本属性和视觉表征的作用下,在政治修辞与视觉修辞的互动、勾连与融合中生成特有的视觉修辞话语,由此诠释着国家记忆的地缘图谱和电影文化的修辞意涵。
In the creation of Chinese war films,because of its unique era background and geo cultural con-struction,the anti American and aid Korean films formed a geo spatial construction with geographical space and social space as the main body.At the same time,as the visual representation form of political rhetoric,the film of the War to Resist US Aggression and Aid Korea,under the effect of its specific political environ-ment,rhetorical context,text attribute and visual representation,generates a unique visual rhetoric discourse in the interaction,linkage and integration of political rhetoric and visual rhetoric,which explains the geo-graphical map of national memory and the rhetorical meaning of film culture.
基金
2021年天津市教育科学规划课题:红色经典电影融入新时代大学生爱国主义教育理论与实践研究(课题编号:CIE210192)阶段性成果。
