摘要
20世纪30年代中国电影的表演,在戏曲、文明戏带来的表演传统中不断突破,一方面继承了戏剧表演的基因,另一方面又努力寻求银幕表演自身的特点,逐渐从滑稽、夸张的表演转变为自然化、生活化的表演。孙瑜的电影化手法,使得其无声电影中的表演既能贴近演员本色,又塑造出一系列被他称为“理想人物”的银幕形象。这类人物形象具有顽强的生命力,兼具乐观和抵抗精神,本文通过自然和健美的身体展示、细微处表情和动作的重复、编接中的连贯表演三个维度探求其影片如何在演员与角色统一的过程中形塑“理想人物”。
The acting in Chinese films in the 1930s continued to break through in the acting traditions brought by Opera and Civilized Drama,inheriting the genes of theatrical acting on the one hand,and striving to seek the vitality of screen acting on the other hand,gradually changing from funny and exaggerated to naturalized and life-oriented.Sun Yu's cinematic approach allows the acting in his silent films to be close to the actors themselves,and a series of screen images of"ideal characters"called by him were created.This kind of char-acter has tenacious vitality,optimism and resistance,so this paper explores how his film shapes the"ideal characters"in the process of unifying actors and characters through three dimensions:natural and toned body display,the repetition of subtle expressions and movements,and coherent acting in the compilation.
作者
冯果
高殿银
Feng Guo;Gao Dianyin
基金
2019年度国家社会科学基金艺术学重大项目《中国电影表演美学思潮史》(项目编号:19ZD11)子课题阶段性成果。
