摘要
脸是影像美学研究的一个特殊领域,汉斯·贝尔廷与雅克·奥蒙的著作,以及巴拉兹与德勒兹的部分思想都对脸的美学研究提供了理论贡献。影视创作领域,克里斯·马克是一个典型案例。本文试图借用“媒介”这一概念作为出发点,揭示出马克作品的人物脸部是多种美学理论与思想观念的共通中介。在他的不少作品中,人的面孔凝缩了多元的电影理论,融合了经典影片中不同的美学观念;同时,脸部镜头与马克独特的蒙太奇方式相结合,使某些人类学的观念内化为一种电影语言,最终表达了自己的电影观与世界观。
Face is a special field in the study of image aesthetics.The works of Hans Belting and Jacques Au-mont,as well as some thoughts of Balazs and Deleuze,have provided theoretical contributions to the study of face aesthetics.Chris Marker is a typical case in the field of film and television creation.This paper at-tempts to use the concept of"media"as a starting point to reveal that Marker's faces are the common medi-um of various aesthetic theories and ideas.In many of his works,people's faces condense multiple film theo-ries,and integrate different aesthetic concepts in classic films;At the same time,the combination of facial lens and Marker's unique montage has internalized some anthropological concepts into a film language,and finally expressed his own film view and world view.
作者
李奇
王姿千
Li Qi;Wang Ziqian
