摘要
20世纪初,俄国艺术家里茨斯基首次发明了“Proun”室的概念,将他的画作以符号化的形式展示在立体空间里,重新定义了展品与空间的关系,让展品在展示其传播意义的同时凸显装饰性功能。自此以后的展览陈列便逐渐趋向于探索物、人、空间为一体的发展模式,视觉传达和空间表现就成为了展览陈列中装饰设计的切入点。
The exhibition has gradually tended to explore the development mode of exploring things, people and space, and visual communication and spatial performance have become the entry points of decorative design in the exhibition.
出处
《上海工艺美术》
2023年第1期101-103,共3页
Shanghai Arts & Crafts