“扭曲”背后的理智与柔情:当代俄罗斯先锋诗歌中的“观念主义”与“极简主义”

Reason and Tenderness behind the “Distortion”:“Conceptualism” and “Minimalism” in Contemporary Russian Pioneer Poetry

20世纪末苏联社会的不稳定因素深深地影响着人们的思想,也深刻反映在当代俄罗斯诗歌创作中,一批具有鲜明创作风格与个性表达的诗歌喷涌而出,众多不同形式、不同思想表达的先锋诗歌与流派尽显峥嵘,当代俄罗斯诗坛呈现出一片喧哗与狂欢的盛景。本文重点研究这一时期最具代表性的“观念主义”与“极简主义”诗歌,分析其创作特点,阐释其先锋性试验、新颖的美学观点和独特的美学价值,探究诗人对表达方式的反思和对传统俄罗斯诗歌形式的创新,揭示其中所蕴含的独具特色的时代精神。

The instability of Soviet society at the end of the twentieth century had a profound impact on people’s thinking, and this was deeply reflected in the creation of contemporary Russian poetry, which saw the emergence of a number of poems with distinctive creative styles and individual expressions, as well as the emergence of many pioneering poems and schools of thought in different forms and expressions. This article focuses on the most representative “Conceptualism” and “Minimalism” poems of this period, analyzing their creative characteristics, explaining their pioneering experiments, novel aesthetic views and unique aesthetic values, as well as exploring the poets’ reflections on expression and innovations in traditional Russian poetic forms, and revealing the distinctive spirit of the times contained therein.