摘要
安德烈·布鲁诺是在建筑修复领域具有国际声望的意大利建筑师,其修复理念的形成与他早年对战争的记忆以及在中东地区一系列的古迹保护实践有关。有感于战争对人类文化遗产的破坏,布鲁诺将记忆的保存与延续作为修复的主旨,也是建筑师对历史建筑进行干预时责任与道德的体现。通过里沃利城堡、巴黎工艺博物馆、Maa博物馆等项目,布鲁诺展现了建筑师的工作是如何始于修复,并超越修复。
Andrea Bruno(1931–)is an Italian architect of international repute in architectural heritage restoration.His restoration concept was shaped by his war experience in his early years and conservation practices in the Middle East.Having witnessed the destruction of human cultural heritage by wars,Bruno believes that conserving and extending memories is the essence of restoration,which is also the manifestation of the architect’s responsibility and morality when intervening historical buildings.Through a wide range of projects,including Castello di Rivoli,Musée des Arts et Métiers,and Maa Museum,Bruno shows how the architect’s work begins with restoration and goes beyond it.
作者
杜骞
Du Qian(School of Design,Shanghai Jiao Tong University,Shanghai 200240)
出处
《建筑遗产》
CSSCI
2022年第4期103-110,共8页
Heritage Architecture
基金
教育部人文社会科学研究青年基金(20YJZH024)。
