论抗战歌曲对“中华民族”的书写

On the Writing of"the Chinese Nation"in the Counter-Japanese Songs

1931年九一八事变后,中国人民掀起反对日本帝国主义侵略的抗日救亡运动,抗日救亡歌曲也伴随着救亡运动的蓬勃兴起而产生,并在七七事变后得到进一步发展。抗战歌曲对“中华民族”或“中华”一词的书写,讴歌了中华民族的悠久历史和灿烂文化;颂扬了中华民族不畏强敌、敢于牺牲、爱好和平的民族精神;强调了全国各族人民是休戚与共、生死相依的命运共同体;彰显出中华民族有与侵略者血战到底的英雄气概。随着抗日救亡群众歌咏运动的兴起和不断发展,抗日救亡歌曲对“中华民族”的书写使得“中华民族”观念在广大群众中流传开来,这对“中华民族”观念在抗战时期的广泛传播和最终形成起了积极的推动作用。

After the September 18th Incident in 1931,the Chinese people set off national salvation movement fighting against Japanese imperialist aggression,the songs of counter-Japanese and national salvation were also appeared along with the vigorous rise of the national salvation movement,and were further developed after the July 7th Incident.The writing of"the Chinese nation"or"China"in the counter-Japanese songs eulogized the long history and splendid culture of the Chinese nation;celebrated the Chinese nation's national spirit of not being afraid of strong enemies,daring to sacrifice and loving peace;emphasized that the Chinese people of allethnic groups were a community with a shared future in life and death,and showed that the Chinese nation had the heroic spirit of fighting with the invaders to the end.With the rise and continuous development of the counter-Japanese mass singing movements,the writing of"the Chinese nation"in the songs made the concept of"the Chinese nation"spread among the masses.This played a positive role in promoting the wide spread and final formation of the concept of"the Chinese nation"during the War of Resistance.