摘要
论文聚焦史东山在20世纪20年代的交际网络,考察了他与晨光美术会艺术家和鸳鸯蝴蝶派文人之间的交往经过,从影像造型和叙事技巧两个维度探讨了这两个交际圈对史东山在20世纪20年代创作的影响,以期为史东山研究带来新的视角。
This paper focuses on Shi Dongshan's social network in the 1920s,examines his communication with the artists of the Morning Light Art Club and the literati of the Mandarin Duck and Butterfly School,and discusses the influence of these two social circles on Shi Dongshan's creation in the 1920s from two dimensions,namely,image modeling and narrative skills,in order to bring a new perspective for the study of Shi Dongshan.
出处
《南京师范大学文学院学报》
2023年第1期25-36,共12页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社科基金艺术学重大项目“中国特色电影知识体系研究”(编号:22ZD10)。
