多梅尼科·斯卡拉蒂钢琴奏鸣曲中的音乐修辞策略——以K.159、K.430、K.520为例

Musical Rhetoric Strategies in Domenico Scarlatti s Piano Sonatas:Take K.159,K.430 and K.520 as Examples

多梅尼科·斯卡拉蒂是巴洛克时期的一位重要作曲家,他的钢琴作品在巴洛克时期非常具有代表性,并且对古典主义时期的钢琴奏鸣曲产生了深远的影响。通过对多梅尼科·斯卡拉蒂的三部钢琴作品中的主题、结构构建策略等进行音乐修辞学探讨,可以体现出斯卡拉蒂鲜明的个人风格以及对奏鸣曲式这一体裁的探索与贡献。

Domenico Scarlatti was an important composer in the Baroque period.His piano works were very representative during that period and played a profound role in the piano sonata in the classical period.Music rhetoric refers to the theory of analyzing and studying music works through rhetoric theory,which is a relatively mature discipline in foreign countries.However,there are few scholars doing this research in China at present.From the perspective of music rhetoric,this paper aims to discuss the theme and structure construction strategies in Domenico Scarlatti s three piano works.