岩彩画的现代复兴与跨文化传播

The Modern Renaissance and Cross-Cultural Transmission of Rock-colored Paintings

岩彩画艺术是中国古代传统美术的一部分。历史上由遣唐使传输至日本,日本画家在长期实践探索中,从材料研发到表现语言都有新的发展。新时期以来,中国留日画家在秉承前辈改良中国画的愿景中将这一绘画重新带回中国。经过不断的推广与创新,最终完成了岩彩画在本土的现代复兴,从而使岩彩画成为中国美术中一次成功的推陈出新。在各高校内开展的岩彩画教学,更是依托本土石窟艺术资源,建构起较为完整的教学体系,实现了优秀传统文化的创造性转化和创新性发展。在持续深入的岩彩画理论探讨中,对这一绘画的来源生成及历史追溯有了清醒认识,岩彩画更成为凸显民族文化基因及传统艺术向现代转型的表征。对岩彩画发展历程的追溯和文化基因的解析,都是以更加开放的视角去理解岩彩画在不同时期、不同文化背景中的衍生、演变和传播,岩彩画也由此成为当代文化交流、互鉴、共生、创新的艺术典范。

Rock-colored Painting is a part of traditional Chinese art.It was transmitted to Japan by the Tang envoys in history.And Japanese painters explored and developed it through long-term practice,from material research to expressive language.In modern times,Chinese painters who studied in Japan brought this painting back to China while adhering to the vision of improving Chinese painting.Through continuous promotion and innovation,Rock-colored Painting has been modernized in China,making it a successful innovation in Chinese art.The teaching of Rock-colored Painting in various art colleges relies on local grotto art resources to construct a relatively complete teaching system,achieving the creative transformation and innovative development of excellent traditional culture.In the continuous and in-depth theoretical exploration of Rock-colored Painting,there is a clear understanding of its origin,generation,and historical tracing.Rock-colored Painting has become a representation of national cultural genes and traditional art transforming into modernity.Tracing the development process of Rock-colored Painting and analyzing its cultural genes is to understand its derivation,evolution,and transmission in different periods and cultural backgrounds from a more open perspective.Rock-colored Painting has become an artistic model for contemporary cultural exchange,mutual learning,symbiosis,and innovation.