艾青诗歌中的听觉叙事研究

On Sound Narration in Ai Qing′s Poetry

文学研究“视听失衡”背景下,越来越多的国内外学者开始探究其他感官因素,其中听觉研究首当其冲。诗歌作为文学作品中一种特殊的文体,对于文本声音的再现有着比其他文学作品更高的需求。以往对艾青诗歌的研究,鲜少立足于听觉视角来分析其叙事功能和意义。在此背景下,采用挖掘艾青诗歌中的声音景观书写类型、归纳文本声音的再现方式、总结声音景观构建的意义,以期最大化还原诗人在文学创作中拟建的听觉空间,让艾青诗歌更立体更多维地展现在读者面前。

In the context of the"audio-visual imbalance"in literary studies,more academics domestically and internationally are starting to look into other sensory aspects,with the investigation of hearing being the first.Being the unique genre,there are more audio requirements for poetry than for other literary works.Rarely has previous research conducted an aural study of the narrative function and meaning in Ai Qing′s poetry.To maximize the restoration of the aural space that Ai Qing built in his poems and to portray his works in a more multi-dimensional way,this essay aims to(i)analyze the types of soundscape used in Ai Qing′s poetry,(ii)summarize the methods applied to replicate textual sounds,and(iii)explain the narrative functions of these soundscapes.