摘要
1947年8月晋冀鲁豫边区树立的“赵树理方向”是解放区树立的最后一个旗帜,它的形成既是中国共产党的文化组织、党组织等对赵树理的文学活动的引导及对其地位的认同过程,也是忠于革命事业而又有个人坚守的赵树理逐渐寻找自身与革命秩序关系的过程,同时也是作为解放区重要部分之一的晋冀鲁豫边区力图建设具有自身特色的文化的结果,以及其对自身建设的文化风景的确认,从而充分显现出解放区文化建设的方向性及其机理。
In August 1947, “Zhao Shuli’s direction” was established in Jin-Ji-Lu-Yu(or Shanxi-Hebei-Shandong-Henan) Liberated Areas as the last cultural and literary flag set up in liberated areas. Its formation echoed the CPC cultural organizations’ guidance on Zhao’s literary activities and recognition of his position, and also embodied Zhao’s balance between the self and revolution. At the same time, this direction was also a result of the Jin-Ji-Lu-Yu Liberated Areas’ painstaking attempt to construct their own culture and to confirm their own cultural landscape. All these factors showed the cultural orientation and mechanism in liberated areas.
作者
张自春
Zhang Zichun(School of Chinese Language and Literature,Shaanxi Normal University,Xi'an 710119,Shaanxi,China)
出处
《文艺理论研究》
北大核心
2023年第1期126-136,共11页
Theoretical Studies in Literature and Art
基金
国家社会科学基金西部项目“‘十七年’时期的少数民族民间文学资源整理工作研究”[项目编号:17XZW034]
陕西师范大学中央高校基本科研业务费专项资金项目特别支持项目[项目编号:18SZTZ01]的阶段性成果。
关键词
解放区
文化机理
“赵树理方向”
liberated areas
cultural mechanism
“Zhao Shuli’s direction”