主位推进模式下节气诗词的生态话语分析--以元稹《咏廿四气诗·谷雨三月中》为例

Ecological Discourse Analysis of Ancient Chinese Solar Term Poems Based on Patterns of Thematic Progression: Taking YUAN Zhen′s Grain Rain in Mid-March as an Example

二十四节气是中华民族悠久历史文化中的瑰宝,以唐代诗人元稹的《咏廿四气诗》为代表的节气诗词众多,蕴含了中国先民的生态智慧。基于主位推进模式对元稹的《咏廿四气诗·谷雨三月中》进行分析,以期揭示节气诗词的生态意蕴。研究发现:该诗多选择以大自然中的非人类生命体和物理性要素为主位,述位则对主位进行补充说明,使画面更加具体生动。诗歌采用了模糊跳跃与主位延续相结合的主位推进复合模式,生动形象地向读者展示了一幅生机盎然的谷雨时节自然美景,彰显了儒家“生生”思想哲学观中热爱自然的“好生”精神、生生相续的“永生”精神以及和谐共生的“和生”精神。

The twenty-four solar terms are treasures in the long history and culture of the Chinese nation. There are many solar terms poems, among which YUAN Zhen′s in the Tang Dynasty are most representative as they can show the ecological wisdom of Chinese ancestors. This paper aims at an ecological discourse analysis of YUAN Zhen′s Grain Rain in Mid-March by using thematic progression in Systemic Functional Linguistics as the theoretical framework. It is revealed that the poem mostly chooses the non-human organism and physical factors as themes, and the themes usually supplement the themes to make the picture in the poem more specific and vivid. The pattern of the thematic progression is a linear-constant one in order to construe the concept of natural beauty on Grain Rain and reflect the Confucian philosophy of Life-giving Generativity (生生, Sheng-sheng), which mainly includes "Loving Nature(好生, Hao-sheng) ", "Eternal Life(永生, Yong-sheng) " and "Harmonious Coexistence(和生, He-sheng) ".