契时·忧民·喻指——国产动画电影中的民众形象

Consistent with the times·Concerned about the People·Metaphorical Implication:The Image of the People in Domestic Animation Films

当今中国以“现代大国”身份亮相于国际舞台且被赋予了大国的使命与担当。在民族复兴的语境中,国产动画电影也积极参与了国家的建构,作品创作中善于贴切时代脉搏、传播正能量与主流价值观,塑造新时代国民的自然形象。文章从《大圣归来》《哪吒之魔童降世》(后文简称《哪吒》)《姜子牙》说起,阐释了国产动画电影叙事中民众所体现出的“契时”与“忧民”,并从文化社会学角度论述了日常生活中大众观影的深层文化“动因”以及动画民众“符号化”的隐喻指向。

Today,China appears on the international stage as a"modern big country"and has been given the mission and responsibility of a big country.In the context of national rejuvenation,Chinese-made animated films have also actively participated in the construction of the country.In the creation of works,they are good at keeping up with the pulse of the times and spreading positive energy and mainstream values.and astablish new image of the people paper starts from"The Return of the Great Sage","Nezha's Devil Child Comes into the World"(hereinafter referred to as"Nezha")and"Jiang Ziya",explaining the"Fitting with the times"and"Worrying about the people"reflected in the narrative of domestic animation films.From the perspective of cultural sociology,it discusses the deep cultural"motivation"of the public watching movies in daily life and the metaphorical orientation of the"symbolization"of the animated people.