一场关于捕捉与逃逸的语言游戏——论汉德克的小说《守门员面对罚点球时的焦虑》

A Study of Peter Handke's Novel The Goalie's Anxiety at the Penalty Kick

《守门员面对罚点球时的焦虑》是20世纪六七十年代之交,汉德克从激进语言批判和形式革新转向聚焦个体感知与存在的第一部转型之作。这部犯罪侦探小说展演了语言秩序和社会秩序对个体的双重捕捉以及个体的双重逃逸,并以守门员罚点球这一生动场景来提示捕捉与逃逸的辩证关系。本文尝试在文本细读的基础上,对小说在情节编织、语言、文体、主题建构等多个层面上展开的捕捉与逃逸进行梳理,并着重分析主人公如何以语言游戏的方式从语言秩序中逃逸,以此理解“汉德克式的逃逸”,管窥汉德克的美学追求。

The Goalie's Anxiety at the Penalty Kick was Handke's first transformational work during his turn from 1960s'language criticism and formal innovation to 1970s'individual perception and individual existence.This detective novel demonstrates how individuals are captured by the language and social order,and how individuals try to escape from them.It implies the dialectical relationship of capture and escape with the vivid scene of a goalkeeper facing a penalty kick.Based on close reading,this article attempts to analyze the captures and escapes presented in the novel at multiple levels,including theme,plot,language,style and so on.This article simultaneously focuses on analyzing how the protagonist escapes from the language order in the way of language games,so as to understand the "Handkehaft flight,"and give a glimpse of Handke's aesthetic pursuit.