自我的变奏及神秘性——以杨碧薇诗《开平碉楼里的女人像》为例

Variations and Mysteriousness of Self——Taking Yang Biwei’s poem“The Statue of a Woman in Kaiping Diaolou”as an Example

“自我”是心理学研究中一个古老而热门的话题,同时也是文学作品中一个永恒的主题。随着时代变迁,农耕社会到现代社会的转变,我们所使用的语言也从古代汉语变成了现代汉语。同时,现代社会带来的现代经验,也使人的精神世界有了更为丰富的内涵。现代新诗作为人的精神活动而存在,诗歌中自我的表达也有了更为复杂的体现。以杨碧薇《开平碉楼里的女人像》一诗为例,通过诗歌写作中“自我”的不同呈现及诗歌作者对“自我”的认知,分析“自我”在诗歌表现中的变奏及神秘性。

“Self”is an ancient and popular topic in psychological research,as well as an eternal theme in literary works.With the changes of times and the transformation from agricultural society to modern society,the language we use has also changed from ancient Chinese to modern Chinese.Thus,Modern experience endows people’s spiritual world with richer connotations.Being a spiritual activity of human beings,the expression of self in modern new poetry has also become more complex.Taking Yang Biwei’s poem“The Statue of a Woman in the Kaiping Diaolou”as an ex⁃ample,through the different representations of“self”in poetry writing and the poet’s cognition of“self”,this paper analyzes the variation and mystery of“self”in poetry expression.