苏州地区发禄袋的造型及审美特征研究

Research on the modeling and aesthetics characteristics of good fortune bags in Suzhou

以苏州民俗博物馆收藏的发禄袋实物为研究主体,通过实物分析与民间民俗文化考证相结合的方法,对不同主题发禄袋的造型与审美特征进行研究,发掘吴韵文化背景下民间造物艺术的地方性特征。研究发现:苏州地区的发禄袋应用了传统吉祥图案的造型手法,将各种耳熟能详的文化符号通过精湛的刺绣工艺组合成平面及立体样式的装饰工艺品,在民间各类民俗活动中传递着大众“求全求满”的生活理想,体现了苏州民间工艺精巧细致、清雅灵秀的风格特征。这对进一步理解民间手工艺与日常生活的关系、丰富民间造物艺术理论、推动地域特色文化创意产品的设计创新具有一定的价值和意义。

Taking the real objects of good fortune bags collected in Suzhou Folk Museum as the research subject,this paper researches on the modeling and aesthetic characteristics of different themes of good fortune bags through the combination of physical analysis and folk culture textual research,and explores the local characteristics of folk creation art under the background of Wu Yun culture.The research shows that the good fortune bags in Suzhou use the traditional auspicious pattern modeling technique to combine various familiar cultural symbols into plane and three-dimensional decorative handicrafts through the exquisite embroidery,which conveys the life ideal of"seeking perfection and satisfaction"in various folk activities,and reflects the exquisite and elegant style of Suzhou folk arts and crafts.It is of certain value and significance for further understanding the relationship between folk handicrafts and daily life,enriching the theory of folk creation art,and promoting the design innovation of cultural creative products with regional characteristics.