摘要
欧洲古典与写实性经典绘画有着为数众多的将人物比例拉长的案例,有些甚至成为目标艺术家的标志性风格。将主要相关作品影像收集测量、比对后发现:拉伸的部位、形态与比值方面均有着细微但明确的不同。通过归类后对目标作品进行周边史料回溯或手动还原,包括细节影响、唯“美”习惯、张力加持、叙事需要等若干创作内因被发掘并得到解释。故此,作为艺术史研究中极致微小、容易忽视的补丁程序,拉长现象牵涉面甚广,对其加以研究、分析亦能开启阐释作品、促成认知升级的操作模式。
European classical and realistic classical paintings have numerous examples of elongated figures,some of which had even become the signature style of the target artists.After the collection,measurement,and comparison of the images of the main related work,it was found that there were subtle but clear differences in the stretching position,shape,and ratio.By categorizing the target work and retracing the surrounding history or manually restoring them,several internal factors of creation,such as the influence of details,the habit of“beauty”,the forced of tension and the need for narrative was uncovered and rationalized.Therefore,as an extremely small and most neglected patch in art historical research,the phenomenon of proportional elongation that involves a wide range of aspects,need be studied and analyzed to open up a mode of operation for interpreting work,thus leading to a new upgrade of art cognition.
作者
朱峰
曹治
邵婕
ZHU Feng;CAO Zhi;SHAO Jie(School of Art&Design,Nanchang Hangkong University,Nanchang 330063,China)
出处
《南昌航空大学学报(社会科学版)》
2023年第1期117-124,共8页
Journal of Nanchang Hangkong University(Social Sciences)
关键词
艺术逻辑
观看机制
人物比例
格式塔
宗教
art logic
viewing mechanism
body proportions
gestalt
religion