摘要
杨恩寰以其实践美学为理论依据和方法论基础,建构起了一个以艺术的实践本性为逻辑起点,内在勾连艺术创造、欣赏、批评、交流等艺术活动诸环节的艺术学框架体系。艺术批评观无疑是其艺术学理论的重要组成部分。杨恩寰从艺术批评活动中的理解、阐释、评判等因素入手分析,指出艺术批评是以欣赏体悟为前提、以阐释理解为基础、以价值评价为指向的实践活动,从而对艺术批评的基本机能、不同阶段及多重内涵作出了系统而深刻的分析,在极大程度上丰富和深化了马克思主义的艺术批评观。
With his practical aesthetics as the theoretical basis and methodological foundation,Yang Enhuan has constructed a framework system of artology that takes the practical nature of art as the logical starting point and inherently connects art cre⁃ation,appreciation,criticism,communication and other aspects of art activities.The view of art criticism is undoubtedly an impor⁃tant part of his artological theory.Yang Enhuan analyzes art criticism from the factors of understanding,interpretation,and judg⁃ment in the activity of art criticism.It is pointed out that art criticism is a practical activity based on appreciation and comprehen⁃sion,interpretation and understanding,and value and evaluation.Thus,a systematic and profound analysis of the basic functions,different stages and multiple connotations of art criticism is made,which greatly enriches and deepens the Marxist view of art criti⁃cism.
作者
岳湘凡
韦拴喜
Yue Xiangfan;Wei Shuanxi(School of Language,Literature and Law,Xi’an University of Architecture and Technology,Xi’an 710055,China)
出处
《六盘水师范学院学报》
2023年第1期57-66,共10页
Journal of Liupanshui Normal University
基金
国家社会科学基金项目“身体美学的发展谱系与知识图景研究”(20XZX021)。
关键词
杨恩寰
艺术批评
艺术观
Yang Enhuan
art criticism
art conception