摘要
“自我”是文学中的重要话题,作家刘恪在不同时期的作品里有不同的自我想象和自我形象。他的早期作品展现的是积极的行动的主体;先锋写作时期是孤独的抒情者的自我形象。从外而内的自我的嬗变充满偶然,也有必然原因,既是他的主动选择,也是社会文化塑造的结果。刘恪的精神肖像在其作品中隐现,也将成为文学史里的界碑。
Self-spiritual portrait is an important issue in literature.Liu Ke’s works in different periods have different self-imaginations and self-images.His early works show the theme of active action,and the avant-garde writing period demonstrates the self-image of solitary poet.The evolution of the self from the outside to the inside is full of accidents and inevitable reasons.It is not only Liu Ke’s active choice,but also the result of social and cultural influences.His spiritual portrait looms large in his works and will become a landmark in literary history.
作者
张新赞
ZHANG Xinzan(School of Media and Design,Beijing Technology and Business University,Beijing 100048,China)
出处
《中州大学学报》
2023年第1期18-25,共8页
Journal of Zhongzhou University
关键词
刘恪
先锋写作
自我嬗变
Liu Ke
pioneer writing
self-transformation