传统与现代:在跨界中融通——论徐则臣的“运河”书写

The Integration of Tradition and Modernity Across Borders--On Narration of the Canal in Xu Zechen′s Works

在徐则臣多年的写作生涯中,运河一直是一个掩藏着的重要角色,直到《北上》才从幕后走到了台前。运河既是徐则臣及其笔下人物站在故乡想象世界的方式,也是站在世界回望故乡的开始。徐则臣以运河为路,打通了“花街”与“北京”这两个地理坐标,实现了传统与现代、乡村与都市、东方与西方的大融合。本文从徐则臣小说文本内部所呈现的新旧冲突、城乡畸变问题入手,分析和讨论了徐则臣“运河”书写中所展现的对中国传统文化的召唤以及对现代化问题的批判与反思。

In the works of Xu Zechen,the canal has always been a hidden but important role.It wasn′t paid attention until the publication of the novel Bei Shang.The canal is the way Xu stood in his hometown and imagined the world.It is also the beginning of standing in the world and looking back at his hometown.Taking the canal as a road,Xu got through the two geographic coordinates of"Huajie"and"Beijing",realizing the great integration of tradition and modernity,countryside and city,east and west.In the text of Xu′s novels,the article starts with the old and new conflicts,urban and rural distortions.It also analyzes and discusses Xu′s call to the traditional Chinese culture and the criticism as well as reflection on the modernization problems in the narration of the canal.