论金宇澄《繁花》的器物书写与文化建构

On the Artifact Writing and Cultural Construction of Jin Yucheng′s Flowers

金宇澄的《繁花》是一部书写上海市民生活的小说,它以承载着上海历史与记忆的器物,描绘出被上海繁华掩盖之下的市井气息,挖掘出隐藏在器物背后的上海文化。《繁花》中的器物书写与金宇澄对上海的文化态度息息相关。首先,众多的器物是作家文化怀旧的载体,作家名物、陈物背后所表达的是作家对上海文化的怀念与认同。其次,作家通过书写器物的消失和更新,表达了他由器物的变化所引发的对文化变迁的焦虑。最后,面临文化危机,作家试图利用上海方言言说器物、为器物建立图像坐标等形式重构上海文化。

Flowers by Jin Yucheng is a novel about the life of Shanghai citizens.It depicts the atmosphere of the city under the cover of the prosperity and excavates the culture of Shanghai hidden behind the artifacts that carry the history and memory of Shanghai.The writing of artifacts in Flowers is closely related to Jin Yucheng′s cultural attitude towards Shanghai.First of all,numerous artifacts are carriers of the writer′s cultural nostalgia,which also express his recognition of Shanghai culture.Secondly,the author expresses his anxiety about the cultural change caused by the disappearance and renewal the artifacts.Finally,faced with the cultural crisis,the writer tries to reconstruct Shanghai culture by using Shanghai dialect to speak the artifacts and establish image coordinates for the artifacts.