摘要
本文通过对后公共化时代出现的新纪实摄影的研究,分析后公共化时代促使传统纪实摄影到新纪实摄影发生审美转向的原因,结合具有代表性的作品,分析新纪实摄影在传承的基础上、在特点和类型上所体现的当代审美转向,并以此折射中国新纪实摄影走向公众,发现、反思社会问题的审美变化。
This paper analyzes the reasons for the contemporary aesthetic shift from traditional documentary photography to neo-documentary photography in the postpublic era through a study of the emergence of the latter.It analyzes the contemporary aesthetic shift in the characteristics and genres of neo-documentary photography and its heritage based on some representative works.Thus,the aesthetic change of China's neo-documentary photography addressing the public and social issues is reflected.
作者
敖国兴
曾庆洋
Ao Guoxing;Zeng Qingyang
出处
《公共艺术》
2022年第6期100-107,共8页
Public Art
基金
国家艺术基金2020年度资助项目(一般项目)“‘榜样的力量’长三角主题性纪实摄影创作人才培养”阶段性成果,编号为2020-A-05-(026)-386。
关键词
公共化
当代审美
审美转向
当代纪实摄影
publicization
contemporary aesthetics
aesthetic turn
contemporary documentary photography