采茶戏在赣南和粤北地区的传播研究

A Study on the Spread of Tea-picking Opera in Gannnan and Yuebei

采茶戏作为赣南和粤北客家地区的文化事项,是赣粤边区代表性的民间戏曲艺术。采茶戏源于赣南,随后向粤北传播并形成了在地性风格特点,从文化本质来说,赣南采茶戏与粤北采茶戏具有同根同源性。挖掘这一文化现象背后的深层原因,源于采茶戏在赣南和粤北两地的动态传播过程中,赣粤边区的文化环境给二者之间的传播提供极大空间。采茶戏在赣粤边区传播历程是漫长的,它凝聚客家人的精神信仰,维护采茶戏在赣粤边区的文化主体地位,促进采茶戏在赣粤边区的双向传播。

As a cultural matter of the Hakka region in Gannnan and Yuebei,Tea-picking opera is a representative folk opera art of the Gan-Yue border area.Originating from the Gannnan,Tea-picking opera subsequently spread to the Yuebei and developed local stylistic characteristics,and in terms of cultural essence,Gannnan Tea-picking opera and Yuebei Tea-picking opera hold the same root and origin.The deeper reason behind this cultural phenomenon is that the cultural environment of the Gan-Yue border area has provided a great deal of cultural space for the spread of the two in a dynamic way.The spread of Teapickingopera in the Gan-Yue border area has been a long journey,and it has united the spiritual beliefs of the Hakka people.Moreover,it has also maintained the status of Tea-picking opera as the main cultural entity in the Gan-Yue border area and facilitated the two-way spread of Tea-pickingopera in the Gan-Yue border area.