国画山水程式化法则与陶瓷山水画创作

The Programmatic Rule of Chinese Landscape Painting and the Creation of Ceramic Landscape Painting

传统国画山水有着独特的形式特征,并在历史长河中逐渐衍变成统一化、完整化的文化系统和程式化法则,这种程式化对后人创作而言都成为一种惯例使然。陶瓷山水绘画虽与传统国画山水绘画在材质上有着本质的不同,但究其根源与绘画艺术展现同样需要基于传统国画山水绘画的程式法则并融合运用。现当代陶瓷山水绘画依然以国画山水绘画形式为主体,因此,深入研究山水画的程式化运用对陶瓷山水绘画创作尤为重要。

Traditional Chinese landscape painting has its unique formal characteristics,and has gradually evolved into a unifi ed and complete cultural system and programmed rules over the course of history,which has become a convention for future generations.Although ceramic landscape painting is fundamentally diff erent from traditional Chinese landscape painting in terms of material,its roots and artistic presentation are also based on the its programmatic rules.The main form of contemporary ceramic landscape painting is still Chinese landscape painting,so it is especially important to study the programmatic use of landscape painting for the creation of ceramic landscape painting.