摘要
本文以费孝通先生在《乡土中国》中乡土本色章节中的理论概念为主要逻辑基础,选取釉上山水瓷画为样本,来阐述瓷画艺术的乡土性问题。文章重点聚焦于釉上山水瓷画中的乡土性体现,主要从釉上山水瓷画的画作表征、工艺传承及思想信仰这三个方面进行分析。
This article takes the theoretical concept of Mr.Fei Xiaotong in the chapter on the vernacular nature of"Vernacular China"as the main logical basis,and selects glazed landscape porcelain pain ting as a sample to elaborate on the vernacularity of porcelain painting art.The article focuses on the embodiment of vernacularness in glazed landscape porcelain painting,mainly analyzing three aspects,namely,its representation of painting,craft heritage and ideological beliefs.
出处
《景德镇陶瓷》
2023年第1期139-142,共4页
Jingdezhen Ceramics
关键词
瓷画艺术
乡土性
釉上山水
Porcelain Painting Art
Vernacularity
Overglazed Landscape