浅谈瓷上花鸟画的构图——从中国传统绘画理论的构图思想和中国画构图形式的多样性说起

A Brief Discussion on the Composition of Flower and Bird Paintings on Porcelain——From the Idea of Composition in Traditional Chinese Painting Theory and the Diversity of Composition Forms in Chinese Painting

对于构图,中国画家根据自己的创作实践总结了丰富的理论思想,有一套完整的程式。但中国画家历来主张先立意、后作画,所以中国画家为了更好地完成立意的表达,常常会打破程式,谋求最佳的构图方案。因此,中国画的构图有很强的灵活性和变通性。瓷画与国画同源,瓷上花鸟画的构图引用的是中国画的构图理论,但又因绘画载体的不同,而有自身的特点。本文以纸绢画和瓷画为研究对象,浅谈瓷上花鸟画的构图特点。

For composition,Chinese painters have summarized rich theoretical ideas and a complete set of procedures based on their own creative practices.However,Chinese painters have always advocated the idea before painting for better expressing the idea,Chinese painters often break the formula and seek for the best composition solution.Therefore,the composition of Chinese painting has strong fl exibility and adaptability.Porcelain painting and Chinese painting share the same origin,and the composition of fl ower and bird painting on porcelain quotes the composition theory of Chinese painting,but has its own characteristics due to the different painting carriers.This paper takes paper and silk painting and porcelain painting as the research objects,and discusses the c omposition characteristics of fl ower and bird painting on porcelain.