文艺大众化资源的征用路径——以定县秧歌为例

The Expropriation Path of Popular Literature and Art Resources——Taking Dingxian Yangko as an Example

20世纪20—40年代,中华平民教育促进会和晋察冀边区先后在华北乡村开展乡村建设为旨归的文艺大众化运动,定县秧歌文脉深厚而成为运动的重要资源。但由于定县秧歌存在的封建性因素以及实施主体的认知差异,定县秧歌经历了用与弃、亲与疏的艰难抉择。新中国成立至今,经过主题和形式的不断革新,定县秧歌依然保持旺盛的生命力。该文探究定县秧歌发展的个中缘由,帮助大众进一步认识文艺大众化的复杂历史脉络,以期为今日乡村文艺工作提供借鉴。

In the 1920s and 1940s,the Chinese Association for the Promotion of Civilian Education and the Shanxi-Chajia-Hebei Border Region successively carried out a popular literary and artistic movement aimed at rural construction in rural areas of North China.The Yangko in Dingxian County has a profound cultural context and has become an important resource for the movement.However,due to the feudal factors existing in Dingxian Yangko and the cognitive differences among the implementing subjects,Dingxian Yangko has experienced a difficult choice between using and abandoning,and between being close and being sparse.Since the founding of New China,Dingxian Yangko has still maintained its vigorous vitality through continuous innovation in its theme and form.This article explores the underlying causes of the development of Yangko in Dingxian County,helping the public further understand the complex historical context of the popularization of literature and art,with a view to providing reference for today's rural literature and art work.