城与人的遇合与龃龉——论郁达夫的杭州体验与书写

Harmony and Discord between City and People——On Yu Dafu’s Experience and Writing in Hangzhou

在浙籍作家的杭州书写中,郁达夫是着墨颇多的一位。郁达夫的杭州书写,尤其是其与杭州之间的遇合与龃龉,带有典型的郁达夫式的况味。梳理郁达夫的杭州体验与书写,可发现其经历了从小镇青年的向往与幻灭,到旧式文人的耽爱与偏执,再到现代知识分子的批判与私人恩怨迁移的嬗变,其中又始终夹杂着郁达夫式的私人意绪。杭州在现代文学中的地位一向尴尬,在郁达夫的文学地图中亦处于一个历史“中间物”的位置,城市精神定位模糊。而郁达夫本人也是处于一种半新不旧的矛盾中。飘忽游弋的城与漂泊无依的人,在动荡的时代中,既遇合又龃龉,同病相怜也同性相斥。城与人的精神的同质性,或许是郁达夫与杭州之间最为深层的羁绊。

Yu Dafu is one of the most famous Zhejiang writers in Hangzhou writing.Yu Dafu’s writing about Hangzhou,especially his disagreement with Hangzhou,is typical of Yu Dafu’s style.By analyzing Yu Dafu’s experience and writing in Hangzhou,it can be found that he experienced the evolution from the yearning and disillusionment of the young people in the small town,to the affection and paranoia of the old literati,and then to the criticism and criticism of the modern intellectuals,which is always mixed with Yu Dafu’s private thoughts.Hangzhou has always been in an awkward position in modern literature.In Yu Dafu’s literary map,Hangzhou is also in the position of a historical“intermediate object”,and the positioning of the city spirit is ambiguous.And Yu Dafu himself is also in a kind of semi-new contradiction.In the turbulent times,the hazy city and the homeless people are in harmony and discord.The homogeneity of the spirit of the city and the people is perhaps the deepest bond between Yu Dafu and Hangzhou.