摘要
幽灵作为西班牙作家马里亚斯十分偏爱的形象,集中表达了马里亚斯对于生命与时间问题的哲学思考。作家尤其在其短篇小说中塑造了诸多幽灵形象,超越了生与死的生命形态、主客体的界限与线性时间法则,为透视人的生存境况提供了超验性视角,并以其特有的生存“间性”成为抵抗主体性危机的积极因素。马里亚斯通过幽灵形象的塑造回应了后现代语境中对死亡、他者、时间等概念的探讨,赋予幽灵形象以主体性建构的积极力量。
Favored by Javier Marias,ghost imagery is a concentrated expression of the Spanish writer's philosophical thinking on life and time.In his short stories in particular,ghosts tend to transcend the division between life and death,the boundary between subject and object and the linear laws of time.With their unique existential"betweenness,"they provide a transcendental perspective on human existence and become an active factor in dealing with the crisis of subjectivity.Marias's ghost imagery responds to the postmodern discussion of such concepts as death,otherness and time,recognizing ghosts as a positivepowerin constructingsubjectivity.
作者
冯雨菁
Feng Yujing(School of Literature,Nankai University,Tianjin,China 300071)
出处
《当代外国文学》
北大核心
2023年第1期77-86,共10页
Contemporary Foreign Literature
基金
天津市哲学社会科学青年项目“当代西班牙文学中的内战书写与乌托邦想象”(TJWWQN22—002)阶段性成果。
关键词
马里亚斯
幽灵
“间性”生存
主体性建构
时间
Javier Marias
ghost
existential betweenness
subjectivity construction
time
