贾平凹《极花》的空间解读

Interpretation of Jihua By Jia Pingwa from The Perspective of Space Aesthetics

作为当代以地域书写为特点的小说家之一,贾平凹的空间书写一直是人们所关注的重点。不论是《浮躁》《极花》中的“商州世界”,还是《废都》《暂坐》中的“西京世界”,他的作品总是体现了截然不同的城乡世界,这种独特现象不仅源于贾平凹的商州血缘身份,也来自于他数十年的西安城市生活经历。在其2016年发表的《极花》中仍然延续了一贯的城乡空间书写模式,但同时又出现了与以往不同的空间特质,这是作为一个有时代敏锐性的作家对城乡关系的新思考。

As a contemporary novelist in writing the regional characteristics,the space of works by Jia Pingwa has been the focus of attention by the critics.Whether it is a“Shangzhou world”of Fu Zao and Ji Hua,“Xijing world”of Fei Du and Zan Zuo,these two very different worlds always present in Jia Pingwa’s works.This unique phenomenon not only stems from his Shangzhou blood identity,but also from his decades of urban life experience in Xi’an.It can be said that it is this kind of spatial writing that makes Jia Pingwa unique,which has been continued to this day.In his Jihua published in 2016,he still continued the consistent urban and rural spatial writing mode,but at the same time,there were different spatial characteristics than in the past.This is a new thinking about the relationship between urban and rural areas as a writer with the sharpness of the times.