从独白到对话:书法出版物跨文化传播的思维转型

From Monologue to Dialogue:A Study on the Thinking Transformation in Cross-Cultural Communication of Calligraphy Publications

建立文明对话,规避独白说教,已成为跨文化传播的重要共识。以书法出版物为媒介,显现中国书法域外传播现阶段的思维本相是独白,即唯我独美的传播理念、对象性欠缺的传播内容、单向输出的传播机制。中国书法出版物跨文化传播应用对话智慧消解独白思维,树立各国各民族文字书写规则各美其美、美美与共的传播理念,建立以国际受众参与性为中心的传播内容,创设多元一体互动的传播机制,最大程度地推动中国书法跨文化传播纵深发展,使书法真正成为形成人类共识的媒介与构建人类命运共同体的桥梁。

It has become an important consensus of cross-cultural communication to establish civilized dialogue and avoid monologue preaching.Taking calligraphy publications as the medium,it shows that the essence of thinking in the current stage of the extraterritorial dissemination of Chinese calligraphy is monologue,that is,the dissemination concept of self-only beauty,the dissemination content of lack of objectivity,and the dissemination mechanism of one-way output.In the cross-cultural communication of Chinese calligraphy publications,dialogue wisdom is applied to dispel monologue thinking,establish the communication concept of each country and each nation's writing rules,establish the communication content centered on the participation of international audiences,and create a pluralistic and interactive communication mechanism,so as to promote the in-depth development of cross-cultural communication of Chinese calligraphy to the greatest extent,and make calligraphy truly become a medium for forming human consensus and a bridge for building a community of human destiny.